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In 1930 Jan Tschichold describes a new typeface in the publication “Börsenblatt für den Deutschen Buchhandels”, that “can be drawn by everyone without typographic knowledge”. Sebastian Nagel extended the original drawing to 7 weights (black, extrabold, bold, semibold, regular, semilight and light), with full coverage of the Latin 1 character set. All fonts also include small caps and alternate characters.
Iwan Reschniev lightwhy do we write and print with two different alphabets simultaneously? we do not speak a capital A and a small a … (Herbert Bayer)
Iwan Reschniev semi light»Die Typografie ist ein Instrument der Mitteilung. Sie muß eine klare Mitteilung in der eindringlichsten Form sein.« (László Moholy-Nagy)
Iwan Reschniev regular“Architects, painters, sculptors, we must all return to crafts! For there is no such thing as ‘professional art’. There is no essential difference between the artist and the craftsman.” (Walter Gropius)
Iwan Reschniev semi bold“The worst state of affairs is when science begins to concern itself with art.” (Paul Klee)
Iwan Reschniev bold“The artist is not a Sunday child for whom everything immediately succeeds. He does not have the right to live without duty. The task that is assigned to him is painful, it is a heavy cross for him to bear.” (Wassily Kandinsky)
Iwan Reschniev extra bold“Our guiding principle was that design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society.” (Walter Gropius)
Iwan Reschniev black“When we are honest—that’s my saying—if we are honest then we will reveal ourselves. But we do not have to make an effort to be individualistic, different from others.” Josef Albers
Related QuestionsHow do I access all glyphs in fonts from FDI Type? Which font formats are available?